Hard Rock Live Orlando

+1-407-351-5483
6050 Universal Boulevard, Orlando, FL 32819

Hard Rock Live Orlando Events

  • Live Music
  • Live Comedy

Hard Rock Live Orlando hosts some of the best names in music and entertainment, and you could be standing in the front row while they play. Check out all our upcoming events on the calendar below, and grab your tickets for an unforgettable show!

1/28/2022

Kenny Wayne Shepherd with Ally Venable *RESCHEDULED*

8:00 PM - 10:30 PM
Music

$57.50 Balcony Tables & Lower Balcony Seating

$47.50 Main Floor Seating - Center Pit

$37.50 Main Floor Seating - Perimeter

 

The Kenny Wayne Shepherd show at Hard Rock Live on Thursday, September 16, 2021 has been rescheduled. The new date is Friday, January 28, 2022. If desired, refunds can be requested for up to (14) days before the new show date at point of purchase.

Note from the artist: "Unfortunately, a member of our touring family is experiencing Covid symptoms. With an abundance of caution we will be rescheduling our show on Thursday, September 16th, 2021 to Friday, January 28, 2022. Our primary goal is to ensure the safety of our band, crew, staff at venues and our fans."

There are few artists whose names are synonymous with one instrument and how it's played in service to an entire genre.

Utter the phrase "young blues rock guitarist" within earshot of anyone with even a cursory knowledge of the modern musical vanguard and the first name they are most likely to respond with will be Kenny Wayne Shepherd. The Louisiana born axeman and songsmith has sold millions of albums while throwing singles into the Top 10, shining a light on the rich blues of the past and forging ahead with his own modern twist on a classic sound he has embodied since his teens.

In a 20-year recording career that began when he was just 16, Shepherd has established himself as an immensely popular recording artist, a consistently in-demand live act and an influential force in a worldwide resurgence of interest in the blues.

From television performances on The Tonight Show with Jay Leno, The Late Show with David Letterman, Jimmy Kimmel Live and Late Night with Jimmy Fallon (amongst others) to features in Rolling Stone, Vanity Fair, Maxim Magazine, Blender, Spin, USA Today and more, his musical career has been nothing short of phenomenal.

At 16 years old, he signed his first record deal and burst onto the national scene with the release of his 1995 debut album Ledbetter Heights, which produced the radio hits "Deja Voodoo," "Born with a Broken Heart" and "Shame, Shame, Shame." His relentless touring and success on rock radio helped to drive the album to Platinum sales status. His 1998 sophomore effort Trouble Is... also went Platinum, yielding such radio hits as "Blue on Black," "True Lies" and "Somehow, Somewhere, Someway." 1999's Live On spawned the radio hits "In 2 Deep," "Shotgun Blues" and "Last Goodbye."

2004's The Place You're In was a blistering rock record and was followed up by 2007's ambitious 10 Days Out: Blues from the Backroads, for which Shepherd and his band traveled throughout the American South to record with such vintage blues greats as B.B. King, Clarence "Gatemouth" Brown, Hubert Sumlin, Pinetop Perkins and David "Honeyboy" Edwards on their home turf. 2010 saw the release of Shepherd's long-awaited first live album, Live! In Chicago, recorded at Chicago's House of Blues during the all-star Legends tour and featuring guest appearances by such blues legends as Hubert Sumlin and Willie "Big Eyes" Smith. The live disc debuted at #1 on Billboard's Blues chart, as did 2011's How I Go. In 2013, Shepherd further expanded his musical horizons by teaming with veteran rockers Stephen Stills and Barry Goldberg to form THE RIDES, whose first album Can't Get Enough helped to expand Shepherd's audience as well as his musical resume. 2014 saw the release of Goin' Home, Shepherd's sixth # 1 debut on the Billboard Blues charts. Goin' Home features several talented friends who shared Shepherd's enthusiasm for the project's back-to-basics ethos. Those guests include fellow guitar icons Joe Walsh, Warren Haynes, Keb' Mo' and Robert Randolph, longtime friend Ringo Starr, Fabulous Thunderbirds frontman Kim Wilson, the Rebirth Brass Band and co-producer Blade's father, Pastor Brady Blade Sr., who lends a bracing dose of preaching to Shepherd's version of Bo Diddley's' "You Can't Judge a Book by the Cover." In the months since its release, Shepherd and his band have toured the world extensively blazing a fresh trail for the historical American art form in the 21st Century.

 

Ally Venable

This is no time for faint hearts. The pandemic might have silenced the music scene, shuttered the live circuit and divided artists from their fans. But with Heart Of Fire, Texas’s favorite new gunslinger Ally Venable is coming off the ropes swinging. Defying dark times and rolling up the amps, this fourth release from the acclaimed singer-songwriter is a record to rattle your speakers and signpost better times ahead. “My vision was to really spread a positive message of love,” says Venable. “The world needs that right now.”

 If Heart Of Fire finds Venable giving the globe some much-needed love, then the feeling is entirely mutual. Still in her early twenties, the guitarist’s breakneck two decades have moved as fast as her fingers, her path winding from childhood church choirs to the teenage influence of local heroes like Stevie Ray Vaughan and Miranda Lambert. Early releases No Glass Shoes (2016) and Puppet Show (2018) earned her international fans, Top 10 chart placings and ETX Awards, but it was 2019’s #2 Billboard-charting Texas Honey and house-rocking sets on that year’s Blues Caravan tour that sent her stratospheric. Now, with Venable’s fanbase snaking further around the block every time she blows into town, Texas roots icon and Texas Honey producer Mike Zito is in no doubt: “Ally is the future of blues and the crossover music of American roots-rock.”

 Not even a global pandemic could derail her momentum. Working at the Bessie Blue Studio in Stantonville, Tennessee last February with world-renowned producer Jim Gaines, Heart Of Fire finds Venable laser-focused on her songcraft, challenging herself to write with unguarded honesty, even if it hurts. “On this album, I really wanted to create a tone of overcoming your struggles and persevering through them,” she explains.

 Like any battle, this record gets loud. Anyone who has left an Ally Venable show with ringing ears will come expecting rip-it-up guitar work, and Heart Of Fire is a lovely way to burn. In a world of electronic pop, this old-soul gunslinger riffs up a storm on the Led Zeppelin-worthy sting of Hard Change and Do It In Heels, revs up the slinky hook of Sad Situation and drives the title track’s intro with a heavy-booted wah lick. “That song is about being in a state of sadness,” she explains, “and someone comes along and brings you out of it, and then nobody is able to take out your flame.” 

Guest Kenny Wayne Shepherd, tears up Bring On The Pain. As Venable says: “That song is about loving someone, staying true to yourself during the bad times and saying, ‘No matter what’s going on, my love won't change’. Kenny is one of my heroes, so I’m very honored he said yes to be a part of the song.”

While nobody is better at squeezing fresh juice from the blues-rock genre, Venable’s songwriting frequently forks into leftfield. There’s the chain-gang stomp of Hateful Blues, its lyric cursing a cruel lover (‘Oh, my love has been abused/and that’s why I’ve got these hateful blues’). There’s the pace-changing cover of Bill Withers’ classic Use Me, reborn here with congas, rubber band bass and a grooving lick. And don’t miss the impossibly wistful Road To Nowhere, with Southern rock great Devon Allman dovetailing with Venable on the chorus harmonies. “Devon jumped right into the song, elevated it and brought it to life,” she remembers. “His vision for the song aligned perfectly with mine, and I’m so happy with how it turned out.”

The same could be said for Heart Of Fire. Defiant, passionate, honest and raw, this is the record these times demand, from an artist who refuses to wait for the storm to pass, but prefers to dance in the rain. “My goal for this album was to give an outlet for people,” Venable considers. “That’s really where the core of these songs comes from…”

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